With the countdown nearly over, Lollapalooza India returns for its fourth edition, transforming Mumbai into the epicentre of music, art and culture this weekend. More than a festival, it promises a carefully curated, immersive experience that brings together global sounds and the city’s unmistakable energy. Every element of Lollapalooza India is designed to deepen the audience’s connection with music, culture and with each other and this year is no different. The spirit of Mumbai is woven into the fabric of the festival, creating moments that feel both global and distinctly local. Alongside unforgettable performances, fans can look forward to exclusive festival merchandise to remember the stellar weekend by and an experience rooted in sustainability, inclusivity and accessibility - a place for all. Lollapalooza India 2026 stands as the place to be this weekend - a defining cultural moment that extends well beyond the last set. The fourth edition of Lollapalooza India will take over Mumbai’s iconic Mahalaxmi Racecourse on January 24 and 25, bringing with it an electrifying lineup of legendary icons, global sensations and emerging talent poised to shape the future of music. Beyond the music, here’s what keeps fans coming back year after year, and what to expect from the Lollapalooza India experience in 2026. #LollaForChange: A festival with purpose Lollapalooza India has always about creating a lasting impact. This edition continues to build a festival experience that is responsible by design and inclusive. 1. Sustainability is intentionally embedded into the festival’s planning and operations, with end-to-end waste management, on-ground waste segregation, mindful material choices2. Inclusivity is approached with the same level of intent, with thoughtfully designed measures including gender-neutral washrooms, dedicated safe spaces, robust anti-harassment protocols, trained volunteer teams and clearly marked help points throughout the festival grounds3. Accessibility has been thoughtfully integrated to ensure every fan can fully participate in the experience. This includes Persons With Disabilities (PWD) viewing risers across all stages, wheelchair-friendly pathways, dedicated assistance desks and shuttle support for guests with mobility needs4. Ease of access on travelling to Mahalaxmi Racecourse further strengthens this commitment, with seamless travel options via the Aqua Line metro, local trains and Cityflo connectivity. Together, these measures make getting to Mahalaxmi Racecourse effortless and stress-free, while also supporting reduced carbon footprints Design at Lollapalooza: Transforming the venue into an immersive art playground Art pulses through the festival grounds as Lollapalooza India 2026 becomes an immersive world brought to life through larger-than-life installations, each designed to deliver visually striking, interactive experiences that reflect the festival’s spirit. From the return of the iconic Lolla Inflatable, a festival landmark to the nostalgic Shaman Inflatable inspired by Perry Farrell’s original artwork, creativity takes centre stage. Rising proudly at the heart of the venue, the Big Top, a shaded zone, a natural meeting point and a space to recharge. Add the playful Lolla Buddies photo-op, the bold Lolla Artboard and the kinetic Lolla Garden where spinning flowers bloom in motion and the venue transforms into an art-forward playground packed with unforgettable, picture-perfect moments. With Kaali Peeli on the Go, the festival energy spills into the city itself as a Mumbai taxi is reimagined into a moving party zone, complete with dazzling lights and live broadcasts on a giant billboard. From beats to bites: Lolla food park’s ultimate food experience The unmissable Lolla Food Park at Lollapalooza India 2026 is a festival in itself, uniting over 70 food brands across stalls, carts and food trucks to create a vibrant culinary landscape. A consistent crowd favourite, it has delighted festival-goers year after year with its diverse and delectable offerings. This edition will introduce an exciting spread of special dishes crafted exclusively for the festival. Fan favourites such as Bad Boy Pizza, Bademiya, Bachelors, Bang Bang Noodles among others will serve up flavours that match the energy of the stages. Adding to the experience are specially curated Lollapalooza India certified dishes, including the iconic Bheja Roll from Bademiya, Strawberries and Cream from Bachelors, the fiery Lolla Lava Noodles from Bang Bang Noodles and the much-loved Pushpa Pizza from Bad Boy Pizza. Between sets, Lolla Food Park becomes the ultimate gathering ground where music lovers refuel, discover new tastes and keep the vibe alive. Bring Lollapalooza India Home: Curated, collectible festival merch Lollapalooza India 2026 carries its magic beyond the music festival grounds with an exclusive merchandise collection that captures the event’s vibrant energy. The official Lollapalooza India 2026 range is rooted in a bold design language with a hyper-visual collection that feels playful, optimistic and unmistakably Lollapalooza India. Fans will be spoiled for choice ranging from T-shirts, tank tops, hoodies, basketball and collared jerseys, alongside lifestyle essentials like picnic mats, bandanas, dad caps and bucket hats. Every piece is crafted as a wearable memory of an unforgettable weekend. An eclectic lineup that signals the future of global sound in India This year’s lineup blends rock, pop, electronic, indie and hip-hop to deliver something for every kind of music lover. Headlined by the debut performances of Linkin Park and Playboi Carti, Lollapalooza India 2026 brings together an electrifying roster that also features Yungblud, Kehlani, Knock2 and more. From edgy alt-rock and smooth R&B to bass-heavy EDM, hip-hop, dream pop and J-pop, the genre-defying experience continues with standout acts like LANY, Sammy Virji, Fujii Kaze and Calum Scott ready to light up the stages. Spanning generations and sounds, the lineup makes the festival a true destination for music discovery, celebration and unforgettable moments. Built around the fan experience, from entry to encore Every detail at Lollapalooza India 2026 is crafted with the audience in mind. From a dedicated Concierge Desk for premium ticket holders to on-ground ticket upgrade facilities at the Info Desk (subject to availability), the focus remains on ease, comfort and clarity so fans spend less time navigating logistics and more time immersed in the music. Earmarked Help Desks and on-route assistance from the Science Centre Metro station (Aqua Line) to the venue will further streamline the journey. Thoughtful initiatives like Tag Your Kid, where children under 14 attending the festival with a guardian will receive a wristband at the entry gates, displaying their name and their guardian’s contact number; and a comprehensive Lost and Found support system will help create a safe, welcoming environment for festivalgoers of all ages. Adding to this, shuttle services for attendees with mobility challenges and a wheelchair-friendly layout ensure seamless navigation across the grounds, making Lollapalooza India a truly inclusive and fan-first experience.
22 January,2026 04:58 PM IST | Mumbai | mid-day online correspondentEco‑friendly kitchen remodeling options in Mountain View focus on saving energy, cutting waste, and using safe materials while still giving you a kitchen that works well and looks good. By choosing smart layouts, low‑energy tools, and earth‑safe materials, homeowners can lower bills and help the local environment at the same time. This makes Mountain View kitchen remodeling a smart choice for families who care about both comfort and the planet. In Mountain View, many homes are older and ready for updates. A green kitchen remodel can fix poor lighting, worn cabinets, and old tools that waste power and water. Local rules also support eco‑safe building, which helps homeowners make better choices. Working with a skilled kitchen remodeler Mountain View homeowners trust can make the process clear and smooth. Why Eco‑Friendly Remodeling Matters in Mountain View? Mountain View has a strong focus on clean living and smart energy use. Many people here care about air quality, water use, and long‑term value. A green kitchen remodel helps meet these goals. It can lower power use, cut water waste, and reduce trash from building work. Homes in this area often face high energy costs. An eco‑friendly kitchen can help lower monthly bills. Over time, the savings can be large. Also, homes with green updates often sell faster and at better prices. Energy‑Saving Appliances One of the easiest steps in a green kitchen remodel service is replacing old tools. New stoves, fridges, and dishwashers use far less power and water than older models. Look for tools with high energy ratings. They work just as well while using less power. Induction cooktops are another good choice. They heat food fast and waste less heat. This keeps the kitchen cooler and saves energy. A trusted kitchen remodeler Mountain View homeowners rely on can help pick the right models for your space and budget. Water‑Saving Fixtures Water use is a big issue in California. Eco‑friendly kitchens use less water without losing function. Low‑flow faucets and smart spray heads cut water use while still giving strong flow. Some sinks also come with built‑in filters, which reduce the need for bottled water. Dishwashers with water‑save modes can also make a big difference. Over a year, these small changes can save many gallons of water. Green Cabinet and Counter Choices Cabinets take up a lot of space in a kitchen, so the materials matter. Eco‑friendly cabinets are often made from reused wood or fast‑growing plants like bamboo. These options reduce harm to forests. Low‑VOC finishes are also key. They release fewer harmful gases into the air. This helps keep indoor air clean and safe, which is important for kids and pets. For counters, consider recycled glass, reused stone, or solid surfaces made from safe blends. These choices last long and are easy to clean. Better Lighting Options Lighting plays a big role in how a kitchen feels and how much power it uses. LED lights use far less power than old bulbs and last much longer. They also come in many colors and styles. Adding more natural light can also help. Larger windows, skylights, or light tubes can cut the need for daytime lighting. A skilled Mountain View kitchen remodeling team can help plan lighting that fits your home layout. Smart Layout and Design An eco‑friendly kitchen is not just about tools and materials. The layout matters too. A smart design reduces wasted space and makes daily tasks easier. This can mean shorter walks between the sink, stove, and fridge.Long‑Term Benefits of a Green Kitchen An eco‑friendly kitchen offers long‑term value. Lower bills, better air, and durable materials make daily life easier. These kitchens also age well, which means fewer repairs later. For families in Mountain View, green remodeling fits local values and future needs. It supports clean living while adding comfort and value to the home. Final Thoughts Eco‑friendly kitchen remodeling options in Mountain View offer many ways to improve your home while caring for the environment. From energy‑saving tools and water‑smart fixtures to safe materials and smart design, each choice adds up. With the help of a trusted kitchen remodeler Mountain View homeowners can trust, you can build a kitchen that works well today and for many years to come.
22 January,2026 11:23 AM IST | Mumbai | IANSThe traditional Bagurumba Dwhou dance of Assam reached record-breaking popularity worldwide on Tuesday. This folk dance, known for its "butterfly-like" movements, where performers spread their arms like wings to the rhythm of drums, has seen a massive surge in international interest recently. The data reveals that "Global Search Interest on Google for the Bagurumba dance is at its highest ever in the last two decades," with 200 million views on PM Modi's social media properties alone. Bagurumba is one of the folk dances of the Bodo community, deeply inspired by nature. The dance symbolises blooming flowers and reflects harmony between human life and the natural world. Traditionally performed by young Bodo women, with men accompanying as musicians, the dance features gentle, flowing movements that imitate butterflies, birds, leaves and flowers. Performances are usually organised in groups, forming circles or lines that enhance their visual elegance. Bagurumba dance holds deep cultural significance for the Bodo people. It represents peace, fertility, joy and collective harmony, and is closely associated with festivals such as Bwisagu, the Bodo New Year, and Domasi. Prime Minister Narendra Modi on Saturday addressed the Bagurumba Dhwou 2026 at Sarusajai Stadium in Guwahati, describing the event as a vibrant celebration of the rich traditions and cultural identity of the Bodo community. Speaking on the occasion, the Prime Minister said, "Bagurumba Dwhou is not just a festival but a medium to honour the great traditions of the Bodo society and remember its eminent personalities." He paid tributes to Bodofa Upendra Nath Brahma, Gurudev Kalicharan Brahma and other prominent figures for their contributions to social reform, cultural renaissance and political awakening. The Prime Minister noted that talented Bodo youth are now emerging as cultural ambassadors of Assam, excelling in arts, sports and other fields with renewed confidence. He added that Assam's growing confidence, strength and progress are accelerating India's overall growth story. This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever
22 January,2026 11:19 AM IST | Guwahati | ANIA rare 233-year-old Sanskrit manuscript of Valmiki's Ramayana has been gifted to the Ram Katha museum in Ayodhya, the Culture Ministry said on Tuesday, January 20.. In a landmark cultural handover, Shrinivasa Varakhedi, Vice Chancellor of the Central Sanskrit University, presented the manuscript of the Valmikiramayanam (with the Tattvadipikatika) to Nripendra Misra, Chairman of the Executive Council of Prime Ministers Museum and Library, it said. The manuscript, authored by Adi Kavi Valmiki with a classical commentary (tika) by Maheshvara Tirtha, is written in Sanskrit (in Devanagari script), the ministry said in a statement. "It is a historically significant work dating to Vikrama Samvat 1849 (1792 CE) and represents a rare preserved textual tradition of the Ramayana," it said. "The collection comprises five principal kanaas of the epic -- Balakanda, Aranyakanda, Kiskindhakanda, Sundarakanda, and Yuddhakanda -- reflecting the narrative and philosophical depth of the Itihasa," the statement said. The manuscript, previously loaned to Rashtrapati Bhavan, New Delhi, has now been permanently gifted to the Antarrashtriya Ram Katha Sangrahalaya (International Ram Katha Museum), Ayodhya, Uttar Pradesh, it said. This significant gesture supports the museum's development as a global centre for Ramayana heritage, ensuring wider public access and preservation, the officials said. "This gift immortalises the profound wisdom of Valmiki Ramayana, making it accessible to scholars, devotees, and visitors worldwide in the sacred city of Ayodhya," Varakhedi said. Misra said, "Donation of this rare manuscript of Valmiki Ramayana to Ram Katha Sangrahalaya at Ayodhya is a landmark moment for the devotees of Ram and the temple complex at Ayodhya." This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever
22 January,2026 10:49 AM IST | New Delhi | PTIFour-time Grammy-nominated drummer Billy Kilson, celebrated for his improvisational flair, impeccable timing and electrifying stage presence, will perform in Mumbai this January. Known for his vibrant original music that blends upbeat energy with equal parts swing and groove, Kilson brings a dynamic new sound to the stage. Kilson’s musical foundation was shaped early on at Berklee College of Music, where he trained under the legendary Alan Dawson. This experience set the course for his emergence as a drummer of exceptional range and authority. His early tours with artists such as Donald Byrd, Ahmad Jamal, and Dianne Reeves quickly placed him in the company of leading jazz voices. The drummer later became a defining force in the Dave Holland Quintet, where his rhythmic instincts and mastery of complex meters helped craft the group’s signature sound, earning him Grammy recognition and widespread critical praise. His versatility led him to collaborate with artists across genres—from Chris Botti and Sting to Yo-Yo Ma—yet his strongest creative pull has always been to shape his own music. Kilson’s original work blends the funk, fusion and swing influences of his youth, marked by a rhythm-forward energy and an unmistakable groove. For his performance at the NCPA, Kilson performs with the trio featured on his newest album. Grammy-winning pianist Geoffrey Keezer and acclaimed bassist Essiet Okon Essiet. Join us and witness three world-class musicians come together for an unforgettable night of music at the NCPA. Age Recommendation: 6 years and above; Late entry not permittedWhen: January 26Time: 6:30 pm; Duration: 2 HoursTickets (Plus GST)Members: Rs 450 onwardsNon-members: Rs 500 onwards
21 January,2026 06:46 PM IST | Mumbai | mid-day online correspondentRenowned folk and playback singer Kalpana Patowary, known for her multilingual vocal practice, is set to perform ‘Folk Ecstasy’ in Mumbai this January. “Folk Ecstasy comes from the moment when folk music stops behaving solely like heritage and starts behaving like my truth. I named it for the emotional peak I experience while singing these songs live. This concept was born from years of field listening, stage work, and lived contact with communities where music is not performance but survival,” explains Kalpana. 'Folk Ecstasy' will be presented for the first time in Mumbai on January 24 at NMACC before travelling to other cities in India such as Kolkata, Chennai, Delhi, Bengaluru, Hyderabad, and Chandigarh. The 90-minute live performance treats Indian folk traditions as living sonic archives. Kalpana further shares, “Expect immersion. Expect languages you do not speak, but emotions you recognise. Expect raw voice, controlled arrangements. This concert asks the audience to slow down and stay present.” She curates and leads the work. Her method places Indian folk forms in direct conversation with contemporary jazz structures, preserving source integrity while reshaping form for present audiences. The set runs for ninety minutes and functions as a single, deliberate narrative. “Folk Ecstasy is not merely a fusion set. It is a content-based, carefully structured 90-minute arc where ethnic folk songs from different regions of India speak about their identity through contemporary rhythm and harmony,” says Kalpana Patowary. The sound archive includes tribal songs and folklore celebrating women from Assam, Bhojpuri women’s traditions such as work songs, ritual songs, and narrative forms shaped by migration and labour. Performances span seven Indian dialects, without translation dilution. Traditional vocal methods are paired with live contemporary instrumentation. The performance records lineage. “These are songs carried through memory, not notation,” says Kalpana. The work pays tribute to Bhupen Hazarika, a carrier of Assamese cultural memory, and honours Bhikhari Thakur, a foundational architect of Bhojpuri performance ethics. Kalpana foregrounds rural narratives, ritual practice, and collective memory. Extended vocal range and complex rhythmic cycles support archival accuracy, while live instrumentation sustains immediacy and transmission. Folk Ecstasy positions folk as a living record. It retains historical and social specificity while speaking in a present sonic language. “In today’s cultural space, Folk Ecstasy places folk music at the forefront. Not as background culture. It stands as a contemporary artistic language capable of complexity, scale, and global dialogue,” signs off Kalpana. Apart from folk music, Indian folk singer has also lent her voice to several popular Bollywood songs, including 'Gandi Baat' from 'R... Rajkumar' (starring Shahid Kapoor and Sonakshi Sinha), 'Ore Kaharo' from 'Begum Jaan' (starring Vidya Balan), 'Ek Uncha Lamba Kad' from 'Welcome' (starring Akshay Kumar and Katrina Kaif), and 'Aila Re Aila' from 'Khatta Meetha' (starring Akshay Kumar).
21 January,2026 04:11 PM IST | Mumbai | mid-day online correspondentNeo-classical musician and Indian sitar maestro Rishab Rikhiram Sharma will embark on a 10-city India tour as part of the Asia leg of his 'Sitar For Mental Health Tour' 2026. The 10-city India leg of the tour will see Sharma perform in Bengaluru, Mumbai, Pune, Hyderabad, Chennai, Jaipur, Ahmedabad, Chandigarh, Kolkata and New Delhi between March and April this year. The pan-India trek arrives at a time when classical and neo-classical music is witnessing a notable resurgence among millennials and Gen Z, with audiences increasingly embracing music for its therapeutic and meditative impact. Sharma’s Sitar For Mental Health series has garnered widespread acclaim across the United States, Canada, Europe and the United Kingdom for sparking meaningful conversations around mental well-being through sound. The India tour, promoted and produced by Team Innovation and District by Zomato, also carries special significance as it reaffirms Sharma’s commitment to fans following the postponement of his 2025 India tour due to geopolitical tensions. However, he expects to cater to his fanbase that not only include music enthusiasts but also wellness seekers, family audiences and the youth alike. As the youngest and last disciple of the legendary Pandit Ravi Shankar, Rishab Rikhiram Sharma's work bridges centuries-old tradition with a contemporary sensibility, making Indian classical music accessible and relevant to global audiences. Blending the depth of Indian classical ragas with contemporary textures and improvisational elements, Sharma’s live performances are designed as multi-sensory, immersive experiences. On a mission to redefine how Indian classical music connects with modern listeners, the 'Sitar For Mental Health' aims for the sitar to be a conduit for inner reflection and emotional release. Each concert will be curated as a holistic experience—blending classical frameworks, cross-genre sounds and moments of guided mindfulness—resulting in performances that feel both emotionally resonant and avant-garde. Attendees can expect a thoughtfully curated set featuring new compositions alongside signature works such as ‘Shiv Kailash’, ‘Chanakya’, ‘Tandavam’, ‘The Burning Ghat’, ‘Varaha Roopam’ and ‘Shankara’. Rishab Rikhiram Sharma states, "Music and its power to heal is truly a blessing, and I feel incredibly grateful to be able to share this gift with the world. While we made the difficult decision to postpone the 2025 India tour, it was done with purpose and solidarity, standing with my country when it mattered most. Since then, the journey has taken us across the globe, performing to sold-out audiences in some of the world’s most revered venues. As we step into a brand new year, I’m filled with excitement to finally return home and honour the many heartfelt requests from my Indian fans. This homecoming will be grand, immersive, and an experience of a lifetime, celebrating the healing power of the sitar while continuing to raise awareness for mental health. Sitar for Mental Health is coming back home, and I can’t wait to share this journey with you.” Mohit Bijlani, who is the founder of Team Innovation states, “Rishab Rikhiram Sharma’s work represents a rare intersection of classical excellence and contemporary relevance. The response to ‘Sitar For Mental Health’ globally has been extraordinary, and we are proud to yet again bring this powerful experience to audiences across India as part of the Asia Tour 2026.” Later this month, Sharma will also achieve major international milestones with his Singapore debut at the iconic Esplanade – Theatres on the Bay, followed by his first-ever performance in Dubai at the Coca-Cola Arena. Tickets for the tour will be available exclusively on the District app. An exclusive 12-hour presale will be available from 12 noon on January 30 till 12 noon on February 1. General sales will go live on February 1 at 2 pm. Tour details March 15 - BengaluruMarch 20 - MumbaiMarch 22 - PuneMarch 27 - HyderabadMarch 29 - JaipurApril 3 - ChennaiApril 5 - AhmedabadApril 10 - ChandigarhApril 12 - KolkataApril 19 - New Delhi
21 January,2026 03:19 PM IST | Mumbai | mid-day online correspondentShriniwas Rai, a founding member of the Hindi Society in Singapore and a steadfast champion of Gandhian values, passed away at his home on Sunday at the age of 83, according to a media report on Tuesday, January 20. The former nominated Member of Parliament arrived in Singapore at the age of 10 and went on to study law at the then University of Singapore and built a distinguished legal career that spanned over five decades. One of Rai's most enduring contributions was his role in founding the Hindi Society (Singapore) in 1988, and he worked with fellow community leaders to have Hindi recognised as a second language in Singapore's national education system. In recognition of his lifelong devotion to the language, Rai was awarded the Hindi Society's highest honour, the Hindi Ratna, in 2024. Remarkably, he continued practising law until his final days never officially retiring, according to an online Indian weekly tabloid. Born in March 1943 in Kanaicha, a village in Uttar Pradesh's Gorakhpur district, Rai's contributions to the Indian community were far-reaching. He played a key role in the formative years of the state-supported Singapore Indian Development Association (SINDA), serving as its secretary and helping lay strong institutional foundations. Rai also served on the Hindu Advisory Board and other civic organisations. Appointed as a nominated Member of Parliament (1997-1999), he brought to Parliament a voice of reason, compassion and cultural insight. He was instrumental in raising issues concerning minority communities, education and cultural preservation. "I had the privilege of meeting Rai Sahib on many occasions, and was consistently impressed by his impassioned yet objective approach, his forward-looking perspectives and his thoughtful insights," said Mahendra Prasad Rai, president of The Hindi Society (Singapore). "These qualities left a lasting impression on all who interacted with him." "Despite his many leadership roles and professional achievements, Rai remained a simple, humble and unassuming person, deeply respected for his sincerity and quiet grace. A steadfast champion of Hindi, he devoted himself to preserving and promoting the language as a vital expression of cultural identity," the weekly had MP Rai as saying in a report on Tuesday. As chairman of the Board of Trustees of the Mahatma Gandhi Memorial, Rai was instrumental in preserving and revitalising the iconic Race Course Lane site. Working closely with the Singapore Indian Fine Arts Society (SIFAS), he helped transform the building into the SIFAS Annexe, ensuring the Mahatma's ideals of service and non-violence lived on. K V Rao, president of SIFAS, said, "He was a true Gandhian in thought and action. He quietly slipped a donation cheque into my pocket and said, 'You all are doing a good job.' That was Shriniwas Rai, always kind, always generous, always helpful." Friends and colleagues remember him as calm, thoughtful, and deeply wise, "statesman without pretence" and a "scholar with humility". His scholarship extended to his love for the Hindi language and his cultural curiosity. One of his proudest works was a book exploring the linguistic connections between Hindi and Malay, a testament to his belief that languages are bridges between communities. Rai is survived by his wife Ratneshwari Devi, son Satish Rai, daughter Suchitra Rai, son-in-law Dhruv Jain, and granddaughter Dishani Rai Jain. His son Satish, himself a lawyer, described his father as "a wonderful father and teacher, always there for us, and always helping the downtrodden". In the words of former civil servant, diplomat, businessman, and community leader Haider Sithawalla, "Shriniwas Rai was dedicated and humble. He lived by Gandhian ideals and was always ready to talk to people, especially the underprivileged." This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever.
21 January,2026 02:24 PM IST | Singapore | PTIContemporary artist Seema Kohli's practice, from her early exploration of the self in the mythical to her more recent works that explore the body as an archive of stories, traverses across material histories, mythic imagination, and deeply personal narratives of feminine resilience and self-discovery. Two new art exhibitions by Gallery Nvya at Triveni Kala Sangam -- "Bodies of Sky, Bodies of Earth" and "With Her Hair Running Wild" -- offer a layered and expansive view of Kohli's artistic practice, spanning sculpture, painting, printmaking, embroidery, and mixed media. "Bodies of Sky, Bodies of Earth" brings together Kohli's works across terracotta, woodcut, embroidery, sculpture, and painting to explore the idea of the body as an archive of earth, species, and stories. The exhibition features works that reflect her sustained inquiry into matter as simultaneously physical, metaphysical, and philosophical. "The exhibition unfolds as a conceptual passage that reflects Kohli's long-standing engagement with the body as a locus of experience. Its arc moves from the idea of origin or womb, through the conditions of earth and embodied life, toward sky, release, and shedding, with moksha functioning as an orienting horizon. This progression is articulated materially rather than symbolically, echoing philosophical traditions in which transcendence is understood not as a departure from matter, but as transformation through it," curator Satyajit Dave said in the curatorial note. Appearing as fragments, markers, or vessels, the terracotta pieces evoke archaeological and vernacular forms without settling into historical quotation. "I am an artist. And for me, all these things are coming from a very personal space. And it's like pulling out different kind of memory through different layers of consciousness. "So, whenever I am talking about my work, I am talking about unseen bodies that are there which are around us, which we don't see, but we never considered them alive. But there are beings always around us which are without body. The clouds, the sky, everything is conscious, everything is alive," Kohli said. The second exhibition, "With Her Hair Running Wild", curated by Adwait, presents works spanning key phases of Kohli's artistic journey, from fleeting sketches made during the nights to early explorations of colour, and eventually to the bold palettes and intricate patterns that define her mature practice today. As she moves form her monochrome exploration of domestic narratives in the 80s with mythological icons to her vibrant mix of tribal, natural, and mystical now, the art exhibition offers an almost intimate look at Kohli's own artistic and individual journey. "Between these moments lie narratives of domestic rupture, feminine solidarity, and the gradual reclaiming of artistic voice. Drawing on stories of undomesticated goddesses and impassioned gods, the works uphold the possibility of regeneration amidst stifling convention," Adwait wrote in the curatorial note. As she struggled to keep her skills sharp in a troubled marriage where colours were frowned upon, Kohli found herself turning towards "accounts of recalcitrant and unrestrained femininity in mythology, folklore, and day-to-day life, epitomised by the figure of Kali roaming the shamshan". "The goddess' transfixing gaze, abject appearance, and lolling tongue offer a sharp contrast to the demure devinities, bestowing smiles and benedictions from the walls of Hindu homes. In her truculent dishabille, Kali offers a model of liberation-a welcome break from gruelling social conventions, regimenting women's bodies, appearance, and movement; her streaming halo of hair, like Medusa's snakes, pointing to myriad possibilities for bodily rewilding," the curator said. In a later phase, after Kohli joind Triveni Kala Sangam in 1994, she turned towards painting "saintly, self-sacrificing profiles", a reflection of the toll taken by years of mandatory matrimony. "The saintly, self-sacrificing profiles are in contradistinction to the irreverent exploits of Kama Dev and Rati of former years - a fact that only serves to emphasise her desperation for an escape, even a renunciatory one. Symbols of confinement - hands grabbing at prison bars and plumb bobs signalling a stalemate between conjugality and creativity - hint at torrential currents underneath surficial placidity," Adwait said. In contrast with her early and mid-career works, Kohli's latest paintings are marked by the use of bright colours, almost as if a celebration of life. "Before long, the muted palettes and sfumato of these paintings will yield to the bolder expressions, typified by the Golden Womb series, as a life of comforts gets swapped for a barsati of her own, and a new domesticity discovered. This emergent, ebullient, and ennobling domesticity will continue to animate her subjects and palettes for many years to come," the curator added. While "Bodies of Sky, Bodies of Earth" comes to an end on January 25, "With Her Hair Running Wild" will run till March 15. This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever
21 January,2026 10:06 AM IST | New Delhi | PTIWhen a mega music festival weekend rolls into town, the city shifts gears - the tempo picks up, the buzz gets louder and every street hums with anticipation. As Lollapalooza India 2026 returns to Mumbai for its fourth edition, travelling to the festival is going to be easier this time. Taking place at the iconic Mahalaxmi Racecourse on January 24 and 25, the festival, produced and promoted by BookMyShow Live in India, will see the likes of Yungblud and Linkin Park perform some of their biggest hits. With that being said, a little planning goes a long way in making sure you arrive relaxed. From routes to rides, here’s your complete travel guide to the festival: Travel with the Aqua Line Metro For the first time in Lollapalooza India music festival's history in Mumbai, getting to the festival is going to be faster, smoother and more accessible than ever before because another mode of transport added to the mix owing to the Aqua Metro Line. Get off at Science Centre Station (B2 Exit) and you’re just minutes away from Lolla India’s brand-new second entry gate, created especially to make your arrival seamless. You don't have to go the extra mile and spend more time travelling, and it gets better because once you arrive by metro, there is a reward. Simply show your wristband and your metro ticket at the festival counter and enjoy a free beverage for us. Limited, on a first come first served basis, while supplies last. Take the Mumbai local train The music festival’s long-standing effort to encourage people to take the public transport also continues in full swing. Take the train to Mahalaxmi station to skip traffic woes, travel comfortably and quickly in Mumbai locals. Festival attendees who take the train, can enjoy a free beverage. Simply show your festival wristband or along with your train ticket at the festival counter. Limited, on a first come first served basis, while supplies last. Travel with Cityflo Attendees can book a seat on the dedicated Cityflo shuttles to and from the venue. Step 1: Register on the Cityflo app, add your preferred pick up location Step 2: Add drop off point as Lollapalooza India. Select date and time of travel as well as your preferred seat Step 3: Review ride details. Pay/book your ride. You will receive a confirmation by mail from support@cityflo.com. No parking at Lollapalooza India 2026 There is no car or bike parking at the venue. However, there is a dedicated Uber pick-up and drop-off facility is also available at the NSCI Dome so that you can enjoy all the performances till the end.
20 January,2026 06:05 PM IST | Mumbai | mid-day online correspondentA rare Buddhist relic dating back to the 3rd century BC was brought out of museum and put on public display at Lalitgiri in Jajpur district to allow monks, scholars and devotees from across the country to get an opportunity to have a glimpse of it, an official said on Monday, January 7. The occasion was the second Guru Padmasambhava ceremony at Lalitgiri on January 16. The sacred precincts of Lalitgiri witnessed rituals, prayers, and meditation in honour of Guru Padmasambhava, the revered Buddhist master credited with the propagation of Vajrayana Buddhism, and reflected upon his teachings of compassion, mindfulness, and enlightenment, the official said. "Marking the solemn occasion, a rare Buddhist relic dating back to the 3rd century BC, as identified by the Archaeological Survey of India, was ceremonially brought out of its protected enclosure at the ASI Lalitgiri Museum and placed on public display on January 16," an official statement issued by the state government said. Generally preserved under stringent conservation protocols, the relic was made accessible for public viewing as part of the religious observance, offering devotees a rare and deeply reverential opportunity to pay homage, it said. "The observance reaffirmed Lalitgiri's importance on the global Buddhist map and further positioned Odisha as a custodian of ancient Buddhist civilisation, heritage, and living traditions," said Minister for Odia Language, Literature & Culture department, Suryabanshi Suraj. The public display of the sacred relic was undertaken as an initiative of the ASI, in collaboration with the Department of Tourism and the Department of Odia Language, Literature and Culture, reflecting a shared commitment to preserving, promoting, and respectfully presenting Odisha's rich Buddhist heritage. The event was organised with due coordination among religious authorities and archaeological custodians, ensuring that the dignity, security, and preservation of the relic were maintained at all times. This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever.
20 January,2026 02:02 PM IST | Bhubaneswar | PTIADVERTISEMENT
